April 27, 2015

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Lessons from one publisher’s aversion to ebooks I recently did something that I haven’t done for more than five years: I bought a physical, print edition of a book. For myself. I didn’t want to, but I had to. The publisher made me do it. The story behind my purchase offers lessons for all book publishers, but especially those who have yet to embrace the ebook market. I’m a huge baseball fan and when I heard that Hal McCoy, a legendary sportswriter, recently published a book about his career covering the Reds, well, I had to have it. If you take a quick look at that link to the book on the publisher’s website you’ll see they only sell a print edition there. A quick look on Amazon shows that print is the only option online as well. What's next, now that ebook sales are flattening? Join me at a free webinar on April 28 to see how to drive revenue growth. Click here to register. That made me stop and double-check the pub date. It’s 2015, after all, and surely every publisher offers e-editions of their frontlist, right? I’ve apparently stumbled across one of the remaining publishers who is still stuck in the 1990’s. Not to worry… I figured I’d just run out to one of the many local brick-and-mortar stores and buy a copy there. No dice. There’s not a single copy of this book to be found at any of the local stores. Amazon offers it at 21% off the publisher’s list price though, and since I’m a Prime member I’ll get it in a couple of days. So here we have a small boutique publisher who is contributing to their own market limitations. In this world of digital abundance they prefer to live in the era of physical scarcity. Why print-only? It’s hard to assume they haven’t found a viable way to quickly, easily and inexpensively create EPUBs and mobi files. Not only are there a variety of simple tools for this but there are dozens, if not hundreds, of outsource providers willing to do it for a song. Is it fear of cannibalization? Perhaps. But is that such a bad thing? I’d argue in this case that the number of potential customers who aren’t buying the print edition because it’s not available far outweighs the number of customers who might opt for a cheaper e-version over of print. Here’s a radical idea: Charge 50% more for the e-edition. So that $19.99 print book lists for $29.99 as an ebook. Even after Amazon applies their consumer discount the publisher still makes more than they do on any print copy sale. Btw, I paid almost $16 for the print edition through Amazon but I would have gladly paid $29.99 for an e-edition, if only they’d offer one. The publisher wouldn’t have to stick with a permanent digital list price that’s 150% of the print list. Maybe they could just have it set that high for the first 30 or 60 days, for example. The key is to measure the results, see what can be learned from the combination of print and digital sales and adjust accordingly. Here’s another radical idea: Sell the ebook direct exclusively for 30 or 60 days. After that initial period offer it through all theother ebook channels. (Yes, I realize this means the publisher has to renegotiate terms with distributors.) As a consumer I admit that I’m not a fan of paying more or having to go through some crazy DRM process on a publisher’s website when I buy direct. But in this case I’d be willing to live with both of those situations. At the very least, how about this?: Offer me an e-sample on the publisher’s site so I can start reading the book while I wait for the print copy to arrive. And please don’t lock that sample…make it easy to copy and send to others; after all, it’s a marketing tool for the publisher and the author.
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Here’s a dilemma every book publisher should hope to face A recent email from Evernote piqued my curiosity. I’ve used the note-taking tool for years but never found a reason to upgrade from the Basic (free) version to the Premium (paid) version. Their email announced a “Plus” version with a laundry list of features. Evernote Plus costs half the price of Premium and offers benefits that are somewhere between Basic and Premium. After reviewing the features I decided Basic still suits my needs, so I remain an Evernote freeloader. I’m sure I’m not alone and I’m equally certain Evernote will continue tinkering with their business models. At some point they’ll likely hit on a combination that finally gets me to open my wallet. You could argue that the biggest challenge for a company like Evernote is finding ways to convert more freeloaders into paying customers. It’s a tricky business situation and something that’s totally foreign to book publishers. Why aren’t book publishers exploring more viable ways to acquire customers with free content and then converting them into paying customers? The biggest free tool book publishers use today is a poorly conceived one: the ebook sample. When it comes to nudging prospective customers to click the buy button, most ebook samples are only marginally better than the book’s product page description. Samples are also distributed in a manner that doesn’t exactly encourage sharing with friends and family. Simply alerting me to a new book doesn’t do the trick either. I’m a big sports fan, mostly baseball and hockey. Long ago I subscribed to an email newsletter telling me about new books as they’re published in the sports category. I’ve never made a single purchase because of that email newsletter. What I’d love to see, and something that’s more likely to drive conversion, is a service that gives me access to super-sized samples and other behind-the-scenes information about interesting new (and old!) sports ebooks. The service should surprise and delight me. Make me want to come back to this site/app by tossing in unexpected and unannounced deals, including ones that might only be available to me. I’m simply looking for a better path to go from free content to paid content. Give me access to more content than I can get from a limited sample. Bring the authors into the mix and give them a voice at the table. Make them readily available for Google Hangouts and other ways of engaging with the audience. Content distributed via this service should be completely free of walled gardens. The material must be available for download into whatever reading app the customer chooses. There should be buy buttons at the end of the super-sized sample and they should be offered for all retailers, including the publisher’s own website. Don’t forget the data opportunity here. An opt-in could enable user data to flow back to the publishers (e.g., page views, popular titles, sample downloads, purchases, etc.). A well-designed service like this would have to be developed independent of the retailers; otherwise it simply becomes another extension of their walled gardens. It would also greatly expand the reach and success of plenty of ebooks. In order for this to succeed, publishers (and authors) must be willing to make more of their precious content available for free. They’ll eventually face the same dilemma Evernote faces every day, but I’d argue that’s a problem every book publisher should embrace.

Joe Wikert

I'm Chief Operating Officer at OSV (www.osv.com)

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