May 05, 2014

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The value of a dry run In the early days of flight, airmail pilots conducted dry runs or “pathfinder” flights to test the flying schedule, survey landing strips and facilities at intermediate airfields, and acquaint themselves with the full length of the route. Flying new airmail routes without the pressure of delivering actual mail enabled the postal service to work out the kinks before the stakes were raised. While not as critical as challenging the bonds of gravity and delivering the mail on time, conducting a dry run in your digital content development process helps you “get it right” before publishing and marketing front line titles or content. As one of the co-founders of a small publishing startup, 1x1 Media, I look for opportunities that help us build our processes and release better products. Our startup provides how-to content for startup founders and entrepreneurs. We’ve launched the first title in our Startup Crash Course ebook series, Startup Crash Course: Angel Funding. We are on track to publish our next Startup Crash Course ebook within the month, with our next series also in development. Rather than learning the ropes of delivering ebook content to the various digital platforms while publishing our new series, we first conducted two dry runs using content we already had available. My co-founder, Lisa, rescued the rights for one title back from a large publishing house, and for the other, we enhanced a public domain title first published in 1914. We converted these pieces of content into two ebooks published on four platforms—Amazon’s Kindle, B&N’s NOOK Press, Apple’s iBooks, and Google Play. Publishing a few “dry run” titles enabled us to address many decision points, including: Software tools. Choosing which software to use for writing and editing, formatting, image creation, cover creation, and final ebook formatting and layout can be daunting. But a little trial and error with free or low-cost solutions and help from power tools such as InDesign can speed the process along. Production processes. Our dry run titles enabled us to establish file naming conventions, experiment with image dimensions and resolutions, and learn how text formatting and styles flow through to the finished ebook file on each platform. Platform specs and requirements. Each ebook distribution platform follows a variety of technical specs and requirements. We ironed out details such as file formats, file size limitations, ISBN usage, screen shot formats, and sample chapter formats while creating our dry run titles. Financial calculations. Test titles gave us a chance to calculate the financial impact of content length and pricing decisions. For example, Amazon (US) charges a delivery fee of $0.15 per megabyte for titles enrolled in its 70% royalty option. With pricing, royalties, and costs understood, we can build a simple P&L and make decisions about marketing budgets and promotion activities. Timelines. While our schedule for editing and proofreading the dry run titles fell within a typical timeline, the time it took to tweak the formatting for each ebook platform was an unexpected hurdle. The time it took for a new title to get approved and go live in each particular store also cropped up as an issue. For example, we learned that Apple’s iBooks approval timeline is rather lengthy, taking several weeks for a title to get approved and go live. After our dry runs, we can plan around these schedule issues for future titles. Build or buy. While we decided to slog it out, learning the details of formatting our titles for several ebook platforms, the toughest moments of preparing our dry run content caused us to consider using one of the numerous services available to help prepare content for online publishing. Depending on the scope of content in your online publishing or archiving plans, consider evaluating and partnering with an experienced digital content service provider to help maximize your content. Like the early airmail pilots making pathfinder flights to ferret out swampy landing strips and calculate flight times, our dry run ebook titles gave us the opportunity to make mistakes, build internal processes, and learn to use design and production software tools before we launched the first series titles. If you are new to digital content publishing, consider conducting a dry run or two. The lessons learned by running the full cycle will pay off big when you’re ready for the real deal. And, yes, even low profile dry run titles can make you a little money while you sleep—ours do. This article was written by Steve Poland. Steve is an advisor to startups and the co-founder of 1x1 Media, a publisher of how-to content for startup founders and aspiring entrepreneurs. Steve and his co-founder, Lisa Bucki, are the developers of the Startup Crash Course series. This summer, look for their new Founder’s Pocket Guide series. Steve and Lisa live in Western North Carolina, where Steve flies a 1946 Aeronca Champ over the Blue Ridge mountains, occasionally landing on grass strips and often tormenting Lisa with his obsessive use of checklists.
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Will digital content subscriptions follow the cable model? According to a quick Google search, the typical U.S. household now pays between $80 and $90 per month for the TV component of their cable bill (excluding broadband and phone service). Now compare that to the price of an all-you-can-read digital content subscription service like Next Issue for magazines or Oyster for books. The former is $10-$15/month and the latter is $10/month. The average person spends a lot more time watching TV than they do reading, so that’s one obvious reason for the significant price difference between cable and e-zines/ebooks. Even though services like Next Issue and Oyster are trying to build large subscriber bases by offering the lowest price possible, I expect those rates will increase significantly in the next few years, especially Oyster’s. A recent Nielsen report indicates that the typical American household watches the same number of channels today (17) as they watched back in 2008; this, despite the fact that those same households now have access to almost 50% more channels than they did back in 2008. So we’re not really taking advantage of this increased breadth of channels and yet our cable bills are increasing at roughly four times the rate of inflation. Yes, it’s one of the main reasons we all hate our cable providers, but it also proves we’re suckers for the boob tube. The cable companies say they’re just passing along the higher programming costs from the networks. They also note that networks force them to carry their unpopular channels as part of the package. That drives the price up even higher and, despite the added exposure, the unpopular channels remain unpopular. Now switch gears and think about Oyster. Today they have one of the Big Five book publishers in their catalog. The other four are presumably waiting on the sidelines for a richer deal. And despite their recent announcement of now having more than 500,000 titles in the service, most consumers will find a lot of holes when only one of the Big Five is available. How would the model change if they suddenly had all the titles Amazon sells for the Kindle? How much would a consumer be willing to pay for that added breadth? More importantly, would the price have to go up in order for Oyster to offer that added breadth? Most all-you-can-read ebook services use a pay-for-performance business model: the more a book is read by subscribers, the more revenue that title earns for its publisher/author. What if, like in the cable industry, publishers insisted on getting a portion of the subscriber’s monthly payment regardless of whether any of their books are read? This drives up the price of subscription, but it also increases the value of the service, especially if it ends up bringing the other Big Five to the table. And to steal another page out of the cable playbook, why couldn’t Oyster offer multiple tiers of pricing based on the content offered? So today’s 500,000 title list remains at $9.95/month, but if the other Big Five titles are included, maybe that subscription option is priced at $19.95/month. The little guys might complain that they too should get a fixed minimum amount from each subscriber but I’d argue they’re benefiting from all the additional visibility the larger list creates. After all, unlike the cable TV model, I believe that a broader all-you-can-read model leads to more discovery and consumption of content that wouldn’t otherwise have been read. As an Oyster subscriber I can confirm that this is consistent with my experience; I’m currently reading an Oyster ebook I never would have considered buying from Amazon, for example. I hope Oyster considers this sort of model to dramatically expand their catalog. And if they do, I’ll be the first to upgrade to the $19.95/month premium subscription.

Joe Wikert

I'm Chief Operating Officer at OSV (www.osv.com)

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