January 30, 2007

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Kay Stoner Interview -- Part II Here's the second part of my interview with Kay Stoner of ipubfasttrack.com (Part I is here). It's only one question but Kay's answer is loaded with great insight, so I think it stands on its own (and I wanted everyone to have access to everything she had to say): JW: What are some of the warnings you'd offer new authors who are considering the self-publishing route? KS: Be prepared to continue your writing career in obscurity for the immediate future. You may totally believe in your book 100%, and you may in fact be the next Saul Bellow, but it takes time for the rest of the world to figure that out. It takes a huge amount of work to continuously promote a book -- which is what you have to do, if you want to catch anybody's attention, these days. Be prepared to work -- and work hard! -- for every review, every mention, every sale. The work pays off, but be prepared to work harder than you ever thought you had to. Follow up constantly on every contact, post to blogs, keep your website up to date, make your calls to the press, send out your news releases... go for it! But prepare to work hard, and possibly without immediate reward in the first month or so. These things take time. Don't get depressed by your earnings numbers. You may indeed come up with a best-seller, and you may make some serious money in sales and speaking engagements, but there's always a chance that won't happen. The bookselling business is notoriously difficult, and that fact is largely obscured by the huge operations at mainstream publishing houses, which create the illusion of a profitable industry to the uninitiated. Do what you can to promote your book, but don't be thrown off if the numbers start off at a trickle at first. Remember, some books that become blockbuster best-sellers over several years' time start out fairly anemic. So, steel your nerves for a slow start, just in case... If you gauge your success only by how much money you make or how often your name shows up in Google, you may develop even more of an inferiority complex than you had when all you had to show for your writing was a drawer full of rejection slips. So, don't let slow sales get to you at first. Just as importantly, be prepared to be successful! There's nothing worse than having a big hit on your hands and not being prepared to follow through on the invitations to television appearances and radio interviews and all the publicity activities that go along with a hot new project that everybody's very excited about. So, make sure your calendar is pretty flexible around the time that you're doing your book launch -- and be prepared to follow through. Be clear about what you will and will not do -- how far you're willing to travel, when you're prepared to make appearances, etc. Bottom line is, as an indie publisher, anything can happen -- which can be the best thing in the world, or the worst thing! If you have a plan and you stick to it, that can simplify things a great deal and get you to your publishing and publicity goals. Also, there's still a tremendous amount of bias against self-publishing. A lot of people still believe the hype about publishing houses being the ultimate arbiters of literary taste, and they love to tell you about it. It's totally up to you whether you listen to them or not, but a lot of people won't be shy about turning up their noses at you. Of course, if you've already established credibility as an expert in your field, then you can possibly overcome the objections quicker. If you're a multi-millionaire, or you're a well-known subject matter expert, and you're sharing what you've already made wildly successful, that can overcome the "vanity press" bias. You can also do a great job of obscuring your humble origins by having a professional-looking cover and formatting your interior with a more formal font than Times New Roman. There are a lot of people who know about fonts, and they love to share that knowledge online. Do your research, look at other books, and see how they do it. Try out different fonts, and don't be afraid to scrap a certain layout if it just isn't right. You can overcome the anti-self-publishing bias by right of a well-built "product" - seeing is believing!
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Kay Stoner Interview -- Part III (Final) Here's the final installment of my interview with Kay Stoner of ipubfasttrack.com (Part's I and II are here and here): JW: Have you tried any other self-publishing providers? KS: I had looked at Lightning Source a while back, but their process seemed pretty convoluted to me, plus they were a subsidiary of Ingram, which left a bad taste in my mouth, after all the mergers and acquisitions in the book distribution scene over the past years. I wanted to do something more independent and I was worried that I might end up shunted to the back of the bus, as an indie publisher, if I went with Lightning Source. I had also looked into Xlibris and iUniverse (and a number of others), but I decided against them because of the money required -- I just didn't have the $300-$3,000 to spend! I had a lot of books I was going to be publishing, and it would run me into the tens of thousands of dollars, by the time all was said and done. Plus, I wasn't very impressed by the printing and binding quality of the samples I received -- I can't remember which service they was from, so please don't assume it was iUniverse or Xlibris! It could have been from a smaller "vanity" press. Until Lulu came along, my self-publishing was limited to small-scale, do-it-yourself manual operations -- which, ironically, gave me exactly the kind of quality I was seeking! Lulu came along about the time when I was on the verge of signing up with either Xlibris or iUniverse. Something told me to hold off on committing to a service, and when I found Lulu, I looked no further. They offered me exactly the kind of flexibility and power I needed, and there were no contracts to sign! Plus, the fact that Lulu was started by one of the founders of Red Hat, (which made Linux a serious contender against Microsoft Windows in my small uber-geeky social circle during the late 1990's), made Lulu look pretty friendly to me. The founder had started this company to offer authors an alternative to the pitfalls of corporate publishing, which were exactly the kinds of problems I wanted to avoid like the plague. Philosophically and artistically and technically, Lulu just made a lot more sense. And it was free. I signed up as soon as I found out about them. Logistically, too, Lulu was a total no-brainer. The thought of being locked into another company's production schedule and having to accommodate their calendars, was not very attractive to me. I looked at the samples they sent me, I checked out their websites, and the quality I saw just didn't justify the added hassle of having extra staff do the job. I could do it myself just as well - if not better! Why would I spend hundreds, even thousands, of dollars, on a book that wasn't 100% my own vision? All in all, I'd have to say that Lulu is the best thing since sliced bread for struggling and frustrated writers. (It's even better - no calories and no glucose! ;) If you're still wedded to the idea of being picked up by a mainstream press, if you make tons of sales you may catch a publisher's attention, you can attract a potential contract. I've heard stories of people being successful on their own, and then signing with a mainstream house. It's almost like Lulu is a "farm team" where newbies can vet themselves and their talents. But the real beauty is, you're not hamstrung by waiting by the phone (or your e-mail) for someone to get back to you with a contract that offers something like $1.50 per book in royalties... and you can do it all on your own terms and set your own price. When it works (which in my experience is 95% of the time), Lulu is a dream! And when it doesn't on the first pass, you can always keep trying till things sort themselves out. I'd strongly recommend that writers take Lulu for a test spin. Even if it's just out of curiosity, It doesn't have to cost anything at all to get set up, and the payout -- your own published book -- is pretty amazing!

Joe Wikert

I'm Chief Operating Officer at OSV (www.osv.com)

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